Sol LeWitt

Known for his modular white cube sculpture, geometric drawings and abstract design paintings including many wall paintings that took teams of people to execute, Sol LeWitt was a major promoter of dominant post World War II Conceptualism and Minimalism. He used geometric shapes and lines to challenge his viewers, and sometimes they seemed logical and other times they seemed to have no basis in either reason or reality.

Although he was highly active in New York City, he shied away from any semblance of art celebrity life style and spent much of his later life working from his home and studio in Chester, Connecticut. At the beginning of his career when he was gaining notoriety, conservative critics panned him fiercely. Seeking to get away from the frenetic activity of the New York art scene, he went to Spoleto, Italy in the 1980s and remained there for many years. The influence of Italian culture seemed to lend a new opulent quality to his work, and also the launching of his wall paintings, which he called drawings even though they were done with acrylic paint. “He began making colored flagstone patterns, spiky sculptural blobs and ribbons of color, like streamers on New Year’s Eve, often as enormous decorations for buildings around the world. It was if he had devised a latter-day kind of Abstract Expressionism . . .” (Kimmelman)

Of his personal modesty it was written: “He tried to suppress all interest in him as opposed to his work; he turned down awards and was camera-shy and reluctant to grant interviews. He particularly disliked the prospect of having his photograph in the newspaper.” (Kimmelman)

Sol LeWitt was born in Hartford, Connecticut to Russian immigrant parents. His father, a doctor, died when Sol was age six, and he and his mother then went to live with an aunt in New Britain, Connecticut. His mother encouraged his art talent, and enrolled him in classes at the Wadsworth Atheneum. LeWitt’s subsequent residence in Chester, after he was a well-known artist, was near the Atheneum, and he became a strong supporter of that institution including the securing of a long time loan to it of a highly prestigious private collection of modern art.

LeWitt earned a B.F.A. degree from Syracuse University in 1949, and then was drafted in the Korean War. His special assignment was making posters for the Special Services. From 1955 to 1956, he worked as a graphic designer for architect I.M. Pei, who was beginning his career. He also did pasteups for Seventeen magazine. In 1962, he did his first relief sculpture, and from 1964, executed the cubed works for which he is most known. However, he felt adrift as an artist because Abstract Expressionism was waning, and he was unconfident about what he had to offer that was unique.

However, a change came about because of his taking a job at the book counter of the Museum of Modern Art where he associated with other young artists who were also working there including future ‘big names’ such as Dan Flavin, Robert Ryman and Robert Mangold. LeWitt became intrigued by Minimalism and by the engineering aspects of Russian Constructivism and of Eadweard Muybridge’s experiments with motion photography. From these exposures, “he decided to reduce art to its essentials, ‘to recreate art, to start from square one’ beginning literally with squares and cubes.” (Kimmelman) In the next years, he became fascinated with the impermanence of Conceptualism, which seemed to suit his apparent lack of being impressed with whether or not his own reputation was sustained in the public mind.

His goal with conceptual sculpture was to explore in an impersonal way formulas with which structures are created, and to focus on abstract philosophical theories, disassociated from religion and personal emotions. He painted many of his sculptures white to direct the viewer to these underlying thought processes rather than to the piece itself or to himself. In other words the “concept” was the most important part of the work, and planning it was more important than execution. He was a great believer in simplicity. In 1967, he said: “Most ideas that are successful are ludicrously simple. Successful ideas generally have the appearance of simplicity because they seem inevitable.”

Sol LeWitt was also known for his generosity with lesser-known artists. He often gave them credit as ‘collaborators’ so that their names appeared with his, and he would go out of his way to be helpful including showing with them in small galleries and supporting publications about their work.

He died April 8, 2007 in Chester, Connecticut from cancer. His wife, Carol, and two daughters survived him.

Sources:
Michael Kimmelman, “Sol LeWitt, Postwar Artistic Innovator and Master of Conceptualism, Dies at 78”, The New York Times Obituaries, April 9, 2007, A15
Matthew Baigell, Dictionary of American Art

Pricing Forecast

The forecast for LeWitt pieces are on the rise, auction results show pieces selling at or below estimates, with a few going above esitimates, better pieces selling for more, marginal selling flat.

Sales Price**: $45,980 (€43,792)
**(Includes auction fee to buyer)
Low Estimate: $31,500 (€30,000)
High Estimate: $52,500 (€50,000)

Signature: Signed
Size: 18.11″ x 18.11″ x 18.11″
(46.00cm x 46.00cm x 46.00cm)
Created: 1980
Medium: Wood

Auction Lot: 49
Auction House: Pierre Berge
Auction Date: 12/15/2016

See all lots for this auction

Sales Price**: $4,790 (€4,500)
**(Includes auction fee to buyer)
Low Estimate: $3,193 (€3,000)
High Estimate: n/a

Signature: Signed Lower Right
Size: 4.45″ x 6.18″
(11.30cm x 15.70cm)
Created: 1989
Medium: Gouache over pencil / Paper

Auction Lot: 530
Auction House: Ketterer Kunst, Munich
Auction Date: 12/09/2016-12/10/2016

See all lots for this auction

© 2001 Sol LeWitt / Artists Rights Society (ARS), New York
View more images and additional information
Title:
dining table

Hammer Price*: -not sold-
*(Does not include auction fee to buyer)
Low Estimate: $20,000
High Estimate: $30,000

Size: 30.00″ x 113.75″ x 46.25″
(76.20cm x 288.93cm x 117.48cm)
Created: 1998
Medium: Steel and glass

Auction Lot: 320
Auction House: Wright
Auction Date: 12/08/2016

See all lots for this auction

© 2001 Sol LeWitt / Artists Rights Society (ARS), New York
View larger image and additional information
Title:
SOUIGGLY BRUSHSTROKES (RED)

Sales Price**: $244,330 (€229,500)
**(Includes auction fee to buyer)
Low Estimate: $106,460 (€100,000)
High Estimate: $159,690 (€150,000)

Signature: Signed and Dated
Size: 60.51″ x 60.51″
(153.70cm x 153.70cm)
Created: 1996
Medium: Gouache / Paper

Auction Lot: 116
Auction House: Sotheby’s Paris
Auction Date: 12/06/2016-12/07/2016

See all lots for this auction

© 2001 Sol LeWitt / Artists Rights Society (ARS), New York
View larger image and additional information
Title:
Irregular bands of colour superimposed

Sales Price**: $8,980 (£7,250)
**(Includes auction fee to buyer)
Low Estimate: $3,717 (£3,000)
High Estimate: $6,200 (£5,000)

Signature: Signed and Dated
Size: 11.02″ x 7.87″
(28.00cm x 20.00cm)
Created: 93
Medium: Gouache / Paper

Auction Lot: 228
Auction House: Bonhams Knightsbridge
Auction Date: 11/22/2016

See all lots for this auction

© 2001 Sol LeWitt / Artists Rights Society (ARS), New York
View larger image and additional information
Title:
STRAIGHT BRUSHSTROKES IN ALL DIRECTIONS

Sales Price**: $106,250
**(Includes auction fee to buyer)
Low Estimate: $30,000
High Estimate: $40,000

Signature: Signed and Dated
Size: 30.00″ x 22.00″
(76.20cm x 55.88cm)
Created: 1993
Medium: Gouache / Paper

Auction Lot: 172
Auction House: Sotheby’s New York
Auction Date: 11/18/2016

See all lots for this auction

© 2001 Sol LeWitt / Artists Rights Society (ARS), New York
View larger image and additional information
Title:
MAQUETTE FOR TOWER: LINES IN FOUR DIRECTIONS

Sales Price**: $50,000
**(Includes auction fee to buyer)
Low Estimate: $35,000
High Estimate: $45,000

Signature: Unavailable
Size: 26.00″ x 11.00″ x 11.00″
(66.04cm x 27.94cm x 27.94cm)
Created: 1983
Medium: Painted wood

Auction Lot: 173
Auction House: Sotheby’s New York
Auction Date: 11/18/2016

See all lots for this auction

© 2001 Sol LeWitt / Artists Rights Society (ARS), New York
View larger image and additional information
Title:
HORIZONTAL BRUSHSTROKES IN COLOR

Sales Price**: $43,750
**(Includes auction fee to buyer)
Low Estimate: $25,000
High Estimate: $35,000

Signature: Signed and Dated
Size: 22.50″ x 30.00″
(57.15cm x 76.20cm)
Created: 2003
Medium: Gouache / Paper

Auction Lot: 179
Auction House: Sotheby’s New York
Auction Date: 11/18/2016

See all lots for this auction

© 2001 Sol LeWitt / Artists Rights Society (ARS), New York
View larger image and additional information
Title:
WALL DRAWING #1093: BARS OF COLOR

Sales Price**: $162,500
**(Includes auction fee to buyer)
Low Estimate: $150,000
High Estimate: $200,000

Signature: Unavailable
Size: Dimensions not available
Created: 2003
Medium: Acrylic paint wall installation

Auction Lot: 220
Auction House: Sotheby’s New York
Auction Date: 11/18/2016

See all lots for this auction

© 2001 Sol LeWitt / Artists Rights Society (ARS), New York
View larger image and additional information
Title:
Irregular Curves

Sales Price**: $10,630
**(Includes auction fee to buyer)
Low Estimate: $6,000
High Estimate: $8,000

Signature: Signed and Dated
Size: 11.25″ x 11.25″
(28.58cm x 28.58cm)
Created: 2001
Medium: Gouache / Paper

Auction Lot: 150
Auction House: Phillips
Auction Date: 11/17/2016

See all lots for this auction

© 2001 Sol LeWitt / Artists Rights Society (ARS), New York
View larger image and additional information
Title:
Six Drawings: straight lines, approximately one inch long

Sales Price**: $118,750
**(Includes auction fee to buyer)
Low Estimate: $80,000
High Estimate: $120,000

Signature: Signed and Titled
Size: Dimensions not available
Created: 1970
Medium: Ink / Paper

Auction Lot: 445
Auction House:
Christie’s New York, Rockefeller Center
Auction Date: 11/16/2016

See all lots for this auction

© 2001 Sol LeWitt / Artists Rights Society (ARS), New York
View larger image and additional information
Title:
Bands of Color in 4 Directions

Sales Price**: $50,000
**(Includes auction fee to buyer)
Low Estimate: $50,000
High Estimate: $70,000

Signature: Signed and Dated
Size: 29.88″ x 22.24″
(75.90cm x 56.49cm)
Created: 1991
Medium: Gouache / Paper

Auction Lot: 502
Auction House:
Christie’s New York, Rockefeller Center
Auction Date: 11/16/2016

See all lots for this auction

Sales Price**: $35,000
**(Includes auction fee to buyer)
Low Estimate: $20,000
High Estimate: $30,000

Signature: Signed and Dated
Size: 22.38″ x 14.88″
(56.85cm x 37.80cm)
Created: 1994
Medium: Gouache / Paper

Auction Lot: 2
Auction House: Bonhams New York
Auction Date: 11/15/2016

See all lots for this auction

Hammer Price*: -not sold-
*(Does not include auction fee to buyer)
Low Estimate: $744 (CAN $1,000)
High Estimate: $1,116 (CAN $1,500)

Signature: Signed and Dated
Size: 20.08″ x 14.96″
(51.00cm x 38.00cm)
Created: 1960
Medium: Oil / Canvas

Auction Lot: 28
Auction House: Iegor – Hôtel des Encans
Auction Date: 11/15/2016

See all lots for this auction

Sales Price**: $13,750
**(Includes auction fee to buyer)
Low Estimate: $10,000
High Estimate: $15,000

Signature: Signed and Dated
Size: 11.00″ x 7.75″
(27.94cm x 19.69cm)
Created: 1991
Medium: Gouache / Paper

Auction Lot: 169
Auction House: Swann Galleries
Auction Date: 11/15/2016

See all lots for this auction

Hammer Price*: -not sold-
*(Does not include auction fee to buyer)
Low Estimate: $20,000
High Estimate: $30,000

Signature: Signed Lower Right
Size: 29.50″ x 22.00″
(74.93cm x 55.88cm)
Created: not given
Medium: Gouache / Paper

Auction Lot: 22
Auction House: Fairfield Auction
Auction Date: 11/11/2016-11/16/2016

See all lots for this auction

Hammer Price*: -not sold-
*(Does not include auction fee to buyer)
Low Estimate: $6,000
High Estimate: $8,000

Signature: Signed Lower Left
Size: 19.00″ x 6.88″
(48.26cm x 17.48cm)
Created: 1981
Medium: Pencil / Paper

Auction Lot: 66045
Auction House: Heritage Auctions
Auction Date: 11/11/2016

See all lots for this auction

Sales Price**: $23,810 (€21,250)
**(Includes auction fee to buyer)
Low Estimate: $16,800 (€15,000)
High Estimate: $22,410 (€20,000)

Signature: Signed and Dated
Size: 21.65″ x 29.53″
(55.00cm x 75.00cm)
Created: 1989
Medium: Gouache / Paper

Auction Lot: 184
Auction House: Christie’s Amsterdam
Auction Date: 11/01/2016-11/02/2016

See all lots for this auction

Sales Price**: $22,410 (€20,000)
**(Includes auction fee to buyer)
Low Estimate: $16,800 (€15,000)
High Estimate: $22,410 (€20,000)

Signature: Signed and Dated
Size: 21.85″ x 29.72″
(55.50cm x 75.50cm)
Created: 1989
Medium: Gouache / Paper

Auction Lot: 185
Auction House: Christie’s Amsterdam
Auction Date: 11/01/2016-11/02/2016

See all lots for this auction